Weezer writes some of its best–and worst–songs in years.
Omar Rodriguez Lopez and Cedric Bixler-Zavala are back with a new project: Antemasque.
Sub Pop’s Avi Buffalo is back with a new track and a forthcoming album titled, At Best Cuckold, which is dropping in September. Not sure if I could ask for a more off-putting, adulterous title, but the music itself is the opposite in that it’s absolutely pleasant. I’d actually liken the lead vocals on this particular cut to that of Ben Gibbard of Death Cab for Cutie. Avi Buffalo frontman Avigdor Zahner-Isenberg sound similarly sweet and boyish.
The vocal melody over the chorus of this thing is incredibly sweet, too. I can’t say it’s blowing me away or anything, but it’s a fine, little tune. Enjoy!
Next month, singer-songwriter PUJOL, a.k.a. Daniel Lucca, will be dropping his next full-length album, KLUDGE via Saddle Creek. While I wasn’t really huge on his past few full-lengths, the tracks I’ve been hearing from this latest effort of his seems to show a significant improvement on the songwriting side of things.
Sure, PUJOL’s rough, slightly lo-fi aesthetic still remains on his latest material, and that’s gonna turn some people off, but I think the melodies and sweet chorus on “Pitch Black” shines through the grime. It’s power pop magic. It’s rock ‘n’ roll, baby…
Alright, I’ll end this now before I embarrass myself any further. Enjoy!
While the incredible brevity of this new Tony Molina record makes it a little gimmicky, the infectious melodies and breakup album concept are enough to make me overlook that most of the time. If you like your power pop rough and punk-influenced, give this a listen.
New York chiptuners Anamanaguchi have a new album out that’s sure to test your threshold for 8-bit synths and instrumental power pop.
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Energetic and to-the-point rock music from Bromheads on their new full-length, Choro. The tracks on this LP have a rough, garage-influenced sound to ‘em; however, Bromheads make up for their lack of cleanliness with sharp hooks and nutty vocals. Enjoy!
The title track from what I believe is Warm Soda’s debut album. They’re a band that was formed pretty recently by Matthew Melton after the demise of his previous band, Bare Wires. Like Bare Wires, Warm Soda has a somewhat vintage garage rock sound, but there’s a tight, groomed appreciation for power pop on this new record, too–especially on this particular track, which has chords that ring out in praise of artists like the Strokes or Elvis Costello. Enjoy!