New York chiptune outfit Anamanaguchi are gearing up for another album cycle in 2015, and the title of this forthcoming release will be [USA].
This new track sits firmly in electropop territory, featuring candy-coated synthesizers, a funky groove, and almost shamelessly bubblegum lyrics from guest vocalist meesh.
While not the eccentric and instant hit “Meow” was, “Pop It” is an incredibly fun tease for this upcoming album. Also, MARNIE THE DOG appears at the end of this video.
These guys are almost here, I promise. The anticipation for their debut album brings to light one simple truth: Viet Cong know how to build hype the right way. A strong EP, quite a few scorching singles, and most importantly, quality music have the collective music world drooling for their album. “Continental Shelf” was released in October, but its video was released yesterday. The video features haunting macabre imagery with the occasional cut to chill-wave inspired footage of the ocean. Like the song itself, the video is quite jarring. When describing the song to a friend, I related it to him by simply saying “Imagine if Surfer Blood were really, really angry and a little scary.” That seemed to do the trick. The west coast stomp is there, as well as the monolithic guitar riffs lumbering a long like most surf-rock does these days. However, the sunny reverberation on the electric guitar has been swapped with an dark lo-fi hiss, and lead vocalist Matt Flegel could teach a university class on mastering the post-punk howl. It all ads up to a bizarre yet ultimately catchy experience definitely worth a view and a listen.
- Garrett Cottingham
New York rapper-singer Azealia Banks’ repeatedly postponed album finally drops.
When it comes to being stalked and held captive, I think we can all agree that it’s an experience we’d leave rather than take. And the wrinkly, green-haired character in Little Dragon‘s new “Underbart” video is so physically unsettling that I think he’d be the last on my list of people to stalked by. The beat slowly evolves from atmospheric synths to claustrophobic percussion, highly reminiscent of LCD Soundsystem’s “Someone Great.” The way the song utilizes its space, or eventual lack thereof, greatly enhances the video’s ever growing sense of dread, and will certainly leave you wonderfully.
Check out a review for the latest Little Dragon album here.
- Garrett Cottingham
Hey, everyone! I hope you’re in a good mood today, because I’m going to introduce you to someone very interesting: Hartley C. White. This guy is a multi-instrumentalist, martial artist, poet, and songwriter that currently resides in Queens. He records a self-coined style of music called “Who-pa-zoo-tic Music,” which seems to emphasize extremely broken rhythms. While it all seems entirely new on the surface, most music nerds will probably draw similarities between Hartley and notables names in “outsider music“: R. Stevie Moore, Wesley Willis, Tonetta, Ariel Pink.
On “Let’s Play Politics,” Hartley’s melodies are rudimentary, but there’s something strange and unique about them as well. The odd rhythmic character of the song makes every note pronounced and sticky. Despite this song’s unorthodoxy, it’s incredibly catchy. On the lyrical side of things, Hartley doesn’t say anything he doesn’t mean, making every word count in this clever satire of today’s political landscape.
FKA Twigs drops some black & white visuals for the track “Video Girl,” which is one of many cuts off her stellar debut album LP1. Kudos to Kahlil Joseph on directing this thing, because it’s as gorgeous as it is unsettling. We’re essentially given images of what looks like an execution about to take place, and Twigs’ absolutely strange dance moves bring a certain surrealism to the situation. Am I to guess she is the victim of this death row inmate, and this is her ghost observing his final moments? Maybe! I think I just impressed myself for a second there. Rather than risk sounding like a completely conceded moron, I’ll stop here.
Weezer writes some of its best–and worst–songs in years.