Never heard of the Darcys before, but they definitely know how to pull together an epic, 21-minute instrumental! Hymn For A Missing Girl is the Halifax band’s latest offering right here, and it was a 500 LP offering this past Record Store Day. There might still be some copies of this thing floating around, right? Good luck to anyone who goes out seeking this dark, moody gem, and congrats to anyone who had the perceptiveness to look into what this band had to offer on this project!
The rest of us will just have to stream it, which isn’t exactly anything to complain about. Beautifully layered strings, vocals, and guitars come together into some immense moments on this thing. If drone, post-rock, experimental rock, and immense neoclassical compositions get you going, then you’re gonna want to clear out the next 20 minutes. Enjoy!
Experimental music outfit Liars continue their foray into electronic music with a series of incredibly bold, heavy tech house fusions.
White Suns’ latest release is one of the most twisted blends of noise and rock I’ve heard this year.
Our friends/tormenters at White Suns (Kevin Barry, Rick Visser, and Dana Matthiessen) are coming out with a new LP of earsplitting tunes later in March. The album is titled Totem and judging from this new single, “Priest in the Laboratory,” it looks as though the trio’s lost none of their primal force since their 2012 sophomore effort Sinews.
The song sees White Suns again saying “fuck it” to a concept of structure, careening forward in a heap of caustic vocals, screeching guitar, piercing electronics, and frantic drumming. But the group does go through a number of interesting phases. At one point, everything pulls back to highlight Matthiessen’s deft percussion work, and later, Barry’s guitar and Visser’s electronics work together in bursts to form a coda. White Suns’ music continues to be something of an all-out shred-fest, but that’s not necessarily a problem, as their interplay continues to be a compelling combination of all-over-the-place and very, very tight.
Totems drops March 25 via The Flenser. Hopefully it’s as powerful as its predecessor, review below:
A gorgeous drone from Scottish music producer Steven Shade a.k.a. Sevendeaths, which comes from his latest LP, Concreté Misery. In a perfect world, this track is how the collaboration between Tim Hecker and Daniel Lopatin collaboration that dropped in 2012 would have sounded. Sporadic synth sequences lay against monolithic drones of distortion that cycle through a somber chord progression. While the music seems simple in theory, it’s powerful in practice. Enjoy!