“Popeth” means “everything” in Welsh. It’s also the name of the latest collaborative full-length from enlightened noisesmiths Aaron Dilloway and Jason Lescalleet, properly following up their 2012 team-up Grapes and Snakes. Above, find Popeth centerpiece “Western Nest,” whose masterful bonding of lulling electronic pulses and high frequencies suggests a peak of unity between the two artists. Truly, the entire project lives up to its name - it is in essence the culmination of Dilloway and Lescalleet’s combined efforts in sonic manipulation and the creation of a holistic soundscape up to this point.
Popeth is out now via Glistening Examples.
Full of Hell collaborates with Japanese noise figurehead Merzbow on their latest album.
Often, Guerilla Toss is revered as one of the noisier, more comprehensive American punk bands, with screeching vocals and wide instrumentals that makes up for what it lacks in melody with drive, energy and chaos. “367 Equaliser” is the comparatively quite friendly track, released earlier this year, which now features a music video that is as bizarre as the song is groovy (which is a lot). The drumming is relaxed, the bassline is funky, the singing is more controlled than usual, and overall the song seems to have been more thoughtful and direct, which a big change for a band whose bassist usually likes to take his pants off on stage. The video features moving animations which often mesh and weave into the next. The animations themselves are basic and totally abstract, which lends to the independent art idea that I think they set out to achieve. The song and video are a subtly well thought out combination, and is certainly a league above the previous attempt for the track “Drip Decay” in 2013. Perhaps the group are channelling their creativity more towards the art side than the punk in their widening genre spectrum – but either way, the results are interesting.
- Fin Worrall
Get ready for the most pummeling 40 minutes of music in 2014.
Prime is the latest release from Holland jazz trio Dead Neanderthals, and the band pulls absolutely no punches on their album posted above, which is just one immense free jazz track. It’s a wild and overwhelming listen, and not for the faint of heart. Enjoy!
These guys are almost here, I promise. The anticipation for their debut album brings to light one simple truth: Viet Cong know how to build hype the right way. A strong EP, quite a few scorching singles, and most importantly, quality music have the collective music world drooling for their album. “Continental Shelf” was released in October, but its video was released yesterday. The video features haunting macabre imagery with the occasional cut to chill-wave inspired footage of the ocean. Like the song itself, the video is quite jarring. When describing the song to a friend, I related it to him by simply saying “Imagine if Surfer Blood were really, really angry and a little scary.” That seemed to do the trick. The west coast stomp is there, as well as the monolithic guitar riffs lumbering a long like most surf-rock does these days. However, the sunny reverberation on the electric guitar has been swapped with an dark lo-fi hiss, and lead vocalist Matt Flegel could teach a university class on mastering the post-punk howl. It all ads up to a bizarre yet ultimately catchy experience definitely worth a view and a listen.
- Garrett Cottingham
UK electronic music producer Andy Stott comes through with a new record that further melds the worlds of techno and textured, noisy dark ambient music. You can stream Faith In Strangers above, which is getting released on Modern Love this week. Enjoy, and check out a review for Stott’s last full-length right here.
Some strange and relaxing drone and experimental music on this new Wilting Sun album here. While Wilting Sun is careful not to step into anything too accessible, there’s quite a bit of variety on the six tracks here. Some tracks, like the intro here, deliver a mind-numbing drone, but manage to maintain an unsettling atmosphere pregnant with tension. Other moments sound like they’re pulled straight out of the Tim Hecker or Boards of Canada playbook, combining beautifully haunting melodies with soul-crushing noise and fuzz . As the name implies, the music of Wilting Sun is apocalyptic, desolate, and an ideal soundtrack for the end times.