Bruiser Brigade rapper ZelooperZ latest mixtape is absolute insanity.
Cakes Da Killa‘s Hunger Pangs mixtape has arrived! Described as sounding like a fighting game and as being the “ugly older sister” of last year’s phenomenal Eulogy, this new project finds Cakes at, well, his hungriest. His flow continues to be fast, fiery, and in-your-face and his beats are still bold and bangin. The only thing to have been toned down is the lyrical content, but only ever so slightly - there isn’t a “Fuck Ya Boyfriend” on here, at least. But regardless, Cakes is still consistently clever and remains one of hip hop’s most exciting voices. Enjoy!
Mac Miller comes through with an almost 90-minute project with Faces.
via Tiny Mix Tapes
The ladies of Rio de Janeiro hip hop trio Pearls Negras have a new video out for Biggie Apple cut “Guerreira.” From their fiery flows to their blaring, lasering beats, Alice, Jeni, and Mari are indeed up to some hot stuff right now. Even if you don’t speak Portuguese, you’re gonna pick up on some great vibes from this, especially from the wild ride the above video takes you on. Enjoy! And you can grab the mixtape here, as well.
Illinois rapper Lil Herb seems to be the hotly anticipated lyrical messiah to come out of the currently hot Chicago drill scene.
Remember “Sweet Valley”? You know, the brotherly production duo consisting of Nathan and Kynan Williams. You probably already know Nathan from Wavves. Well, they’ve recently teamed up with Bay Area rapper DaVinci for a new project titled Ghetto Cuisine, which is currently downloadable via Fool’s Gold Records.
“I Got That Line” is the lead single off of the project, and I’m digging the color video and obvious Beastie Boys reference attached to this thing. While I’m more enamored with the instrumental than I am the MC, it’s still worth checking out. Enjoy!
Kentucky hip hop outfit Cunninlynguists have just released the third installment of their Strange Journey series, which features a relentless gauntlet of guest rappers. Some of my current favorites sit among them: Apathy, Del The Funky Homosapien, Aesop Rock, Blu.
While the record doesn’t seem quite as conceptual as something like Oneirology, it still looks like a solid collection of tracks. Enjoy!
Where have these guys been, and why haven’t they been collaborating already?
Pennsylvania is teaming up on this one with mashup master Girl Talk providing a handful of beats for Philly rapper Freeway. Some might think his style is gimmicky, but Girl Talk’s never really disappointed me. It’s actually funny that he’s been musically silent for the past four years, because I think music fans aren’t really paying attention to genre boundaries like they used to. Now that music discovery on the internet is in full swing, people are listening to whatever the hell they want. That’s exactly what Girl Talk’s megamix albums represented to me, anyway.
As far as Freeway goes, I’ve never really been a fan outside of The Stimulus Package–which dropped the same year as Girl Talk’s last record–but I think he’s sounding completely revitalized over these sample-heavy beats.
I think Freeway and Girl Talk are finding new purpose together with this new EP of theirs, Broken Ankles. The lyrics are grimy, violent, forceful. I’d call the instrumentals unlikely, but nothing happens here that albums like Feed The Animals didn’t already set a precedent for. Still, it’s great to hear Girl Talk focusing on some completely original material rather than just assembling tracks out of pieces of other songs. Stuff like this EP could really build his rep as a producer, because the beats have a lot going on for them on this thing. Enjoy via the widget above or the link below!
Download: Girl Talk & Freeway – Broken Ankles
When it comes to loud, visceral trap rap, there are plenty of songs worth recommending on this new Migos mixtape. The problem is it’s so packed with filler that finding the cartoony, eccentric, and occasionally hilarious gems on this thing can be a bit of a chore.
While Tennessee rapper Isaiah Rashad proves himself as a capable spitter and lyricist on this project, it’s the storytelling, instrumentals, and choruses that are occasionally lackluster.