DJ Rashad – “I Don’t Give a Fuck”
DJ Rashad dropped this video and track a few months ago, but it has been criminally underexposed. DJ Rashad cuts up a sample exclaiming that “I don’t give a fuck,” and then proves he doesn’t by creating the main melody of the song from what sounds like an old flip phone’s numberpad. Look out for I Don’t Give A Fuck–is it a single or EP–to be released on Hyperdub on July 22. Enjoy!
Slava – “Girl Like Me”
Moscow-by-way-of-Brooklyn producer Slava lets go of this video for the track “Girl Like Me” off of his recent LP Raw Solutions, which was released by Software. The track itself is built from a refrain “no you never had a girl quite like me” repeated ala DJ Rashad, while the drums eschew usual juke structure for a more intricate pattern that includes tuned woodblocks. The video itself portrays one of the greatest taboos in Western Culture, and really should be watched without spoilers. Just know that the track’s juxtaposition of cold synths and a romantic vocal sample is portrayed well by the director, Eugene Kotlyarenko.
RP Boo – “Speakers R-4 (Sounds)”
The vocal samples on “Speakers R-4 (Sounds)” may make a pretty obvious statement, but the track is still a pretty spacious and captivating piece of footwork. RP Boo, a.k.a. Kavain Space, is a Chicago-based producer, and one of the originators of a fast, jittery electronic music style known as footwork. He’s got a new full-length out via Planet Mu titled Legacy. Enjoy!
Cakes Da Killa – The Eulogy
Between MCs like Le1f and Mykki Blanco, there’s a lot of gender bending going on in hip hop right now, which is great from a societal aspect. I’m pretty excited to see lines like homosexuality being crossed, but I personally think Mykki and Le1f spit with a lotta forgettable lyrics and weak flows. They’re flamboyant and fashionable, which makes their exploits fun to follow, but I think there’s something missing in terms of lyricism and flow.
That’s exactly where a guy like Cakes Da Killa pleases. His flow on the track “Goodie Goodies” is so quick and effective, I think most straight rap listeners might even lose track of the fact the song is essentially an exercise in homosexual peacocking. Also, I’ve gotta mention that the dude rides some of the gnarliest, busiest beats I’ve heard on a hip hop album in a while. The instrumentals on this new tape feature intense trap, footwork, and juke beats. There are loads of strange vocal effects and pitch shifts on the hooks that are really disorienting–especially on a track like “Fuck Ya Boifriend.”
Of course, I expect some of the messages to offend hetero rap fans, but if you’re that easily offended, you shouldn’t be listening to hip hop anyway.
H-SIK- Cocody
H-SIK proves himself to be a producer worth watching with his interesting blend of footwork, juke, and African music on this new EP.

