The latest installment of Matana Roberts’ Coin Coin series shifts the narrative down a drone-laden, cluttered pathway.
Zs’ latest album shows the band taking a more stripped back approach to their hypnotically repetitive approach to experimental rock, jazz, and drone.
Hypercolor is a NYC trio making its self-titled debut on “downtown” figurehead John Zorn’s Tzadik imprint later this month. Unsurprisingly, the threesome comprised of guitarist Eyal Maoz, bassist James Ilgenfritz, and drummer Lukas Ligeti (all of whom are accomplished composers and improvisers) delivers the label’s trademark brand of controlled improvisation. However, the band’s deceptively simple setup proves to be another welcome take on Zorn’s “game piece” mentality; the result a work of spastic jazz-rock that courts entropy for the entirety of its playtime. This act is aptly named – Hypercolor will likely be among the most vibrant blasts of rock music this year.
Look out for this thing, due to drop 15 January via Tzadik.
To close out CLASSICS WEEK 2014, we’re diving into one of jazz flute’s biggest touchstones: Roland Kirk’s I Talk with the Spirits.
For this latest installment of CLASSICS WEEK 2014, Anthony Fantano takes on a quintessential jazz rap album: A Tribe Called Quest’s The Low End Theory.
Once fusing electronic music and jazz on fantastic albums such as Isla and their 2012 self-titled LP, Portico Quartet were one of the most interesting modern music groups to come out of the UK. However, the band’s undergone a few major changes as of late:
1. They’re now a trio.
2. They’re now known simply as “Portico.”
3. They’re signed with Ninjatune.
They’ve got a new album on the way as well titled Living Fields, and “Bright Luck” is the first track to drop from it. The song is a stylistic change of pace, finding the band leaning less on their jazz background, and more on the current trend of ethereal, exploratory, R&B-tinged electronic pop. Jono McCleery’s vocal performance is quite wonderful, but I can’t say the instrumental does anything other than make way for him, really. While I don’t mind this track, I hope the band is still able to showcase their instrumental muscle and finesse on some of the deeper cuts here as well.
Look for Living Fields on March 25th.
Get ready for the most pummeling 40 minutes of music in 2014.
Prime is the latest release from Holland jazz trio Dead Neanderthals, and the band pulls absolutely no punches on their album posted above, which is just one immense free jazz track. It’s a wild and overwhelming listen, and not for the faint of heart. Enjoy!