New Jersey indie rockers Screaming Females have a new “EP”–it’s kind of a single, really–out via Don Giovanni Recs titled “Wishing Well.” Rather than delivering their usual deluge of shrill screams and wild guitar licks, the band is toning things down to deliver a pretty sweet tune. You could probably show your grandmamma this one, and then you could ease her into “Boyfriend.”
I’m loving some of the lyrics frontwoman Marissa Paternoster is bringing to the track, too. With the line about all of her “change going to hell,” this ranks as one of her most clever choruses yet. While I haven’t loved much of what the Scremales have been doing lately, this track is bringing them back on my good side.
Idiosyncratic indie rock band Deerhoof drops yet another cut from their forthcoming album, La Isla Bonita, and the track features one of the most nasty, dizzying, and dissonant guitar leads to ever make it into one of their songs–and that’s saying something.
Look for La Isla Bonita on November 4th via Polyvinyl Records.
After an odd fourth album, Interpol returns to form with an incredibly safe record on El Pintor.
Beloved indie rock vets Deerhoof have recently announced the release of a new album that will be dropping via Polyvinyl records this year. The title: La Isla Bonita. The release date: November 4th. PSYCHED! PUMPED!
“Exit Only” is the first track the band has seen fit to release from the upcoming album, but I’ve actually heard the rest of this release already. I ain’t saying that to try to get you pissed off at me or nothin’, but I can confirm that there are at least a few tracks on this record that follow suit in the heavy, riff-laden vibe of “Exit Only,” which is easily one of the most hard-hitting songs in the band’s growing discography.
As far as the vibe or style of this song, well, it’s Deerhoof. The band’s got one of the most idiosyncratic approaches to music today. Greg’s tight fills, Satomi’s absurdist lyrics, and the group’s typically strange melodies and grooves all ring through on this new cut. The most noticeable difference is how heavy the song feels for Deerhoof, which I don’t mind at all. BRING IT ON!
Singer-songwriter Shara Worden presents an appetizing teaser before the release of her new full-length album.
This new EP from Olympia indie rock trio Oh, Rose is a lovely, pretty haunting little project. For the most part, That Do Now See proffers a particularly moody, lo-fi brand of folk-tinged rock, but the spare instrumentation and frontwoman Olivia Rose’s vocals rise above their subdued tendencies for the opener “Prom” and penultimate track “Luke Rose” for electrifying results. Still, the understated majority of the five songs manages to be alluringly forlorn; Rose having a nice timbre to her voice that suits the murky recording and dim instrumentation.
If you dig this, do check out their previous effort, last year’s four-track EP A Date at the Guest House.
While the incredible brevity of this new Tony Molina record makes it a little gimmicky, the infectious melodies and breakup album concept are enough to make me overlook that most of the time. If you like your power pop rough and punk-influenced, give this a listen.
Next week, Animal Collective’s Avey Tare is dropping a new album with Avey Tare’s Slasher Flicks (featuring Angel Deradoorian from Dirty Projectors and Ponytail’s Jeremy Hyman) called Enter the Slasher House. You can stream the whole project above via YouTube. The visual stream sets trippy, carnivalesque imagery to the music, which is filled to the brim with sticky, often noisy psychedelic pop and kooky sound effects and filters. Happy listening!
Enter the Slasher House is due out April 8 via Domino. Check out our review of Avey Tare’s 2010 solo debut Down There here:
Like usual, the new Real Estate records is an incredibly breezy jangle pop affair.
This passionate, smooth little piece of indie rock comes courtesy of Future Islands. Their new single “A Dream of You and Me” has a really appealing sensitivity to it, especially in the lead vocal’s just-on-the-brink-of-quavering sincerity. The bright guitar, bass, and keyboard tones add a playful element to the proceedings, everything combining to make an emotive, catchy track. It’s accompanied by some slightly abstract images that move along in what looks like stop-motion.
Future Islands’ new record Singles is out March 25 via 4AD.