Oneohtrix Point Never has just shared an outtake from R Plus Seven called “Rush,” supplementing it with a short-but-sweet collaborative track with A.G. Cook, founder of London label PC Music, which specializes in a brand of “bubblegum bass” that I’m not sure I get yet. This feels right.
Clark heads back into familiar territory on his new self-titled album.
Mr. Oizo’s new album for Brainfeeder Records takes on a punchier, more West Coast sound.
Some strange and relaxing drone and experimental music on this new Wilting Sun album here. While Wilting Sun is careful not to step into anything too accessible, there’s quite a bit of variety on the six tracks here. Some tracks, like the intro here, deliver a mind-numbing drone, but manage to maintain an unsettling atmosphere pregnant with tension. Other moments sound like they’re pulled straight out of the Tim Hecker or Boards of Canada playbook, combining beautifully haunting melodies with soul-crushing noise and fuzz . As the name implies, the music of Wilting Sun is apocalyptic, desolate, and an ideal soundtrack for the end times.
Baltimore-based electronic musician Matthew Papich (a.k.a. Co La) is back with a new album that delivers more of the complex beats and disorienting samples that have intrigued us in his past work. Hegemony of Delete‘s six tracks offer subtle, digressive, and glitchy compositions that revel in both the banal and the tangential. In Hegemony, there is no difference between work and play–Co La conflates the relative coldness of the workplace with the distractive element of leisure. The result is something at once mundane and captivating. See what I mean with track “BB Burn” above. Happy listening!
Hegemony of Delete is out now via Primary Information. Our review of Co La’s previous full-length:
Thom Yorke’s latest solo endeavor has an interesting aesthetic, but the appeal of these tracks doesn’t extend too far beyond that.
With some synths that sound like they’re on their dying breaths and some absolutely batshit rhythms, this new track from Tiger Village has me looking forward to this project’s forthcoming tape via Hausu Mountain. The release date: October 21st. The title of this thing: V.
If you didn’t already know, Tiger Village is spearheaded by producer, multi-instrumentalist, and lone wolf Tim Thornton, and I’ve got to know what else this dude’s capable off after hearing this track. I love his use of distortion and a generally lo-fi aesthetic, but he manages to pack it with so much detail in this single track. And I’m not just talking about sonic detail, but compositional, too.
“Cascades” literally does what its title states as one strange musical passage psychedelically folds into another. The song’s quirky, glitch-heavy beginnings are a surprising contrast from some of the epic and tense synth sequences that occur in the middle of this track. The ending is quite cacophonous, but still quite different when eating up the minor details beyond the flurry of synths and percussion. A dizzying track, for sure!
Get ready for a challenging listen on this one! This i.o album titled Edit Architect is a dense, tangled web of multi-tracked guitars, relentless drums, and whatever other glitches this Victoria-based bedroom recording project manages to throw into the works.
It’s like a fusion of free jazz, math rock, and the avant-garde. Give a listen and enjoy!
The new Tobacco album is one of the most demented sonic adventures I’ve gone on this year.
The previously mentioned Kid Smpl drops another track from his forthcoming Silo Tear EP. The song “Ja” is far noisier than I would have expected given the last track I heard from this Seattle-based producer. “Ja” is just bursting at the seams with distorted, abrasive sounds, yes, still maintains a really dreary mood. The explosive heights this track reaches are epic as well.
Expect Silo Tear via Hush Hush Records on May 5th.