Viet Cong – “Continental Shelf”

Ever since the sudden breakup of Canadian noise rock band Women, and the untimely passing of member Chris Reimer, there’s been a lo-fi-shaped hole in my heart few bands have been able to fill. Many have tried, but no group has successfully balanced catchy and subversive in the way Women has.

Enter Viet Cong: This new band not only features a similar aesthetic, but ex-Women members Matt Flegel as well and Michael Wallace. Scott Munro of Chad VanGaalen‘s band also works his way into the mix–if you didn’t know, Chad produced both of Women’s two full-lengths. And let’s not leave out bandmate Daniel Christiansen and.

Viet Cong started to test out the waters last year with a cassette that ended up on Mexican Summer, and now the band is gearing up to release a self-titled debut via Jagjaguwar in January 2015. Considering the quality of this lead single, I’m psyched.

The howling, haunting melodies on this track are fantastic! The galloping beat is a nice touch, and the vocals remind me of an early Wolf Parade record. It’s lo-fi, catchy, noisy, and there’s a touch of goth rock somewhere in there as well. January can’t come soon enough!

Orbweaver – Strange Transmissions From The Neuralnomicon

Try out this new EP from Florida technical death metal band Orbweater. The title certainly is a mouthful: Strange Transmissions From The Neuralnomicon. You’re in for some fast, dizzying, interstellar guitars on this one. The playing is consistently flashy, but it usually only adds up into making these songs weirder and weirder. Orbweaver’s music may be grim, but also sounds like it takes place in the deepest recesses of space. Imagine the bloodiest slasher flick taking place on a stranded spaceship, and you’ll be most of the way there.

Stream Neuralnomicon above, and grab a vinyl copy of it here.

clipping. – “something they don’t know” ft. sb the moor, nocando, and open mike eagle

West Coast industrial hip hop trio clipping. just dropped a new single that features verses from Signor Benedick the Moor, Nocando, and Open Mike Eagle. Hellfyre Club continues to make noise!!!

You can grab this track for free via the group’s Bandcamp. I’m gonna embed the b-side to this single below, too.

After the release of Midcity and clppng., I was left wondering where these guys can go next, and it turns out that a great single with even greater features was the answer.

Not only is the instrumental on here insane, loaded with broken piano and Ol’ Dirty Bastard samples, but I’m loving Daveed Diggs going toe-to-toe with some of the best voices in the West Coast’s underground right now.

Tiger Village – “Cascades”

With some synths that sound like they’re on their dying breaths and some absolutely batshit rhythms, this new track from Tiger Village has me looking forward to this project’s forthcoming tape via Hausu Mountain. The release date: October 21st. The title of this thing: V.

If you didn’t already know, Tiger Village is spearheaded by producer, multi-instrumentalist, and lone wolf Tim Thornton, and I’ve got to know what else this dude’s capable off after hearing this track. I love his use of distortion and a generally lo-fi aesthetic, but he manages to pack it with so much detail in this single track. And I’m not just talking about sonic detail, but compositional, too.

“Cascades” literally does what its title states as one strange musical passage psychedelically folds into another. The song’s quirky, glitch-heavy beginnings are a surprising contrast from some of the epic and tense synth sequences that occur in the middle of this track. The ending is quite cacophonous, but still quite different when eating up the minor details beyond the flurry of synths and percussion. A dizzying track, for sure!

Flying Lotus – “Coronus, The Terminator”

As October 7th inches closer, the more psyched I’m getting for the next Flying Lotus release, You’re Dead! I really enjoyed the track FlyLo dropped with Kendrick Lamar, but this new cut titled “Coronus, The Terminator” has an entirely different vibe to it.

The groove of this song comes on slowly, and there are some stunningly beautiful group vocals that grow in emotional intensity as the song draws on. In a way, it reminds me a bit of the strange stuff Cee-Lo used to dabble in on releases like his debut LP–but way more slow and dramatic, of course.

Given the track falls just short of three minutes, it’s not exactly an immense experience on its own, but FlyLo’s never been huge on the whole single thing anyway. Surely, this will be track that is complimented by the context of the record it’s placed on, and I’m looking forward to hear how it’s all pulled together this October.

clipping. – “Inside Out”

Between “Body & Blood,” “Story 2,” and “Work Work,” West Coast experimental hip hop trio clipping. has been dropping some pretty intense and odd music videos. “Inside Out” is one of the strangest of them thus far, featuring a headless figure walking through a series of nocturnal, urban settings. As the lyrics of Daveed Diggs quickly roll against the track’s glitchy beat, many of the objects referenced in Diggs’ lyrics rise up through the hole where this figure’s head should be. Hilarious concept, fun to watch.

Check out my extremely positive review of clipping.’s new album right here.

Coin Locker Kid – Traumnovelle

Previously mentioned Coin Locker Kid has one of the most unorthodox approaches to hip hop that I’ve heard in the past few years. I didn’t love the last full-length I heard from him, but I still left puzzled by his odd rhymes, stories, and instrumentals.

There’s a clear hip hop influence running throughout his music, but electronic and experimental music guide a lot of the compositions on this new project as well. The title of this thing: Traumnovelle. It’s available now via Already Dead Tapes, and you can purchase this album via cassette here.

Andy Stott – “Violence”

Previously praised electronic music producer Andy Stott is coming out with a new album soon via Modern Love. The release date is November 17th, and the title of this thing is as follows: Faith In Strangers. “Violence” is the first song to drop from it, and it’s an incredibly eerie and chilling change of pace for Stott. Much of the first half features as very delicate vocal that sings faintly over a mix of serene and distorted synth leads. The second half of the song explodes into a slow, bass-intensive groove, and the track essentially repeats these two parts with some slight variations to finish things up.

Not a bad track at all, and it seems that Stott is going to introduce us to some new experiments on this latest record, so keep an ear out.

SOPHIE – “LEMONADE” / “HARD”

Pure insanity coming from these two major tracks from anonymous producer SOPHIE, and both of these songs are out now via Numbers.

Between all the vaporwave and trap out floating around the Internet right now, there’s no shortage of zany electronic music at the moment. SOPHIE seems to embrace a lot of the tenants of TNGHT, Rustie, and post-modernists such as Daniel Lopatin; however, these sensibilities are unabashedly fused with commercial pop, a flavor that reads strongest in the often squeakily pitched melodies and lead vocals. There’s just something about the melodic shift at 0:39 that sounds like Carly Rae Jepsen’s “Call Me Maybe.” Someone on Twitter went as far as to say the groove on “Hard” resembles that of a Death Grips track, and I have to nod in agreement on that comparison.

Despite the obvious present-day influences, something about SOPHIE’s productions thus far feel as if they’re coming from at least ten years into the future. Their energy is incredibly hyper, their accessibility is high, but there’s something sort of avant-garde about these tracks as well. Maybe it’s sort of short-sighted to assume that songs like “Hard” could become the norm in a decade, but I certainly get the sense that I’m catching up with something ahead of the curve when I put these beats on.

Wild Birds & Peacedrums – “The Offbeat”

Sweden’s Wildbirds & Peacedrums drops a new track titled “The Offbeat,” which looks like it’s going to be landing on the duo’s next full-length album, Rhythm. Not a surprising title from this band considering much of their past material has featured nothing but vocals and drums, and that’s exactly how this new track feels. Aside from a few spare “plinks” and glitches hanging in the background, Mariam Wallentin’s voice passionately rides the building drum work of Andreas Werliin.

Despite the lack of accompaniment, once again, Mariam and Andreas sound great. Mariam’s vocals continue to be a powerhouse of passion, and the Andreas’ grooves really keep the tension up.

It’s nice to hear W&P get back into the swing of things after the release of Mariam’s debut solo album, which I loved last year.

Look for Rhythm on November 3rd via the Leaf Label.