While I’ve never loved a YACHT album in the past, Jona Bechtolt and the more recently added Claire L. Evans usually come through with at least one single that really grabs my attention. “Works Like Magic” is that single this time around.
From the bassline to the gurgling synth leads, this song is sharp, sweet, and irresistibly danceable. While I’m not expecting this EP to floor me, there’s nothing like a good single to pique interest.
Black Moth Super Rainbow‘s Tobacco drops a non-album single from the underground psych pop project’s back catalog. Stream it above, and take in the fuzzy electronics and infectious lead melody on this thing. While you’re here, check out Tobacco’s latest full-length album. I freakin’ loved it.
Previously praised electronic music producer Andy Stott is coming out with a new album soon via Modern Love. The release date is November 17th, and the title of this thing is as follows: Faith In Strangers. “Violence” is the first song to drop from it, and it’s an incredibly eerie and chilling change of pace for Stott. Much of the first half features as very delicate vocal that sings faintly over a mix of serene and distorted synth leads. The second half of the song explodes into a slow, bass-intensive groove, and the track essentially repeats these two parts with some slight variations to finish things up.
Not a bad track at all, and it seems that Stott is going to introduce us to some new experiments on this latest record, so keep an ear out.
My new favorite Brazilian hip hop trio just dropped a new project titled the Nossa Gang Mixtape. I’ll be the first to admit I’m not exactly sure what Alice Jeni, and Mari are saying, but that makes their music is no less exciting to me. Rather than going off of lyrics, I’m happy to feed off of Pearls’ great instrumentals, charisma, and attitude.
Give Nossa Gang a stream above, and check out a review of the trio’s previous tape here.
The Bug delivers a new album that reads more like two decent EPs.
From shrill synths to lackluster vocal guests, the new Rustie album does little to live up to its predecessor.
Pure insanity coming from these two major tracks from anonymous producer SOPHIE, and both of these songs are out now via Numbers.
Between all the vaporwave and trap out floating around the Internet right now, there’s no shortage of zany electronic music at the moment. SOPHIE seems to embrace a lot of the tenants of TNGHT, Rustie, and post-modernists such as Daniel Lopatin; however, these sensibilities are unabashedly fused with commercial pop, a flavor that reads strongest in the often squeakily pitched melodies and lead vocals. There’s just something about the melodic shift at 0:39 that sounds like Carly Rae Jepsen’s “Call Me Maybe.” Someone on Twitter went as far as to say the groove on “Hard” resembles that of a Death Grips track, and I have to nod in agreement on that comparison.
Despite the obvious present-day influences, something about SOPHIE’s productions thus far feel as if they’re coming from at least ten years into the future. Their energy is incredibly hyper, their accessibility is high, but there’s something sort of avant-garde about these tracks as well. Maybe it’s sort of short-sighted to assume that songs like “Hard” could become the norm in a decade, but I certainly get the sense that I’m catching up with something ahead of the curve when I put these beats on.
A piece of chilling auditory excellence from producer, dj, and co-head of Her Records, Sudanim. The track is absolutely freaky, and manages to stir some really frightening emotions in its 3-minute runtime.
I’m loving the metallic, primal rhythms, for one. It’s like a combination of a factory floor machinery and the kind of drum circles you’d only find in the thickest of jungles. On top of this, Sudanim lays some incredibly twisted, high-pitched wails that I could even begin to guess the origin of.
I’m not sure where all of this is coming from, but hell is clearly where it’s going! Enjoy.