Where have these guys been, and why haven’t they been collaborating already?
Pennsylvania is teaming up on this one with mashup master Girl Talk providing a handful of beats for Philly rapper Freeway. Some might think his style is gimmicky, but Girl Talk’s never really disappointed me. It’s actually funny that he’s been musically silent for the past four years, because I think music fans aren’t really paying attention to genre boundaries like they used to. Now that music discovery on the internet is in full swing, people are listening to whatever the hell they want. That’s exactly what Girl Talk’s megamix albums represented to me, anyway.
As far as Freeway goes, I’ve never really been a fan outside of The Stimulus Package–which dropped the same year as Girl Talk’s last record–but I think he’s sounding completely revitalized over these sample-heavy beats.
I think Freeway and Girl Talk are finding new purpose together with this new EP of theirs, Broken Ankles. The lyrics are grimy, violent, forceful. I’d call the instrumentals unlikely, but nothing happens here that albums like Feed The Animals didn’t already set a precedent for. Still, it’s great to hear Girl Talk focusing on some completely original material rather than just assembling tracks out of pieces of other songs. Stuff like this EP could really build his rep as a producer, because the beats have a lot going on for them on this thing. Enjoy via the widget above or the link below!
Download: Girl Talk & Freeway – Broken Ankles
Stream: Da Mafia 6ix – 6ix Commandments
Sorry I haven’t mentioned this yet, but an occasion such as this can’t be talked about too many times, honestly.
Three 6 Mafia is back, but they’re now working under a different name and making music sans a few original members. I’ll let Koopsta explain:
Like Koop said, Juicy J isn’t in the mix on this new mixtape, and I don’t think Gangsta Blac and La’ Chat are on any of these cuts either. However, despite all of that–and a name change–the group has managed to bring back their classic sound without sparing us on their typically grimy, eerie edge. Download the tape via the link at the top of this post, and enjoy!
While East Coast MC Action Bronson didn’t skimp on the personality with this new tape of his, there are certainly a lot of aimless, short-of-breath tracks here that really feel like filler.
“I don’t recognize you anymore,” Sarah Barthel sings at the very end of Phantogram’s new single, “Black Out Days,” atop a surprisingly soft piano. I say “surprisingly” because the 3 and a half minutes that precedes it is a booming, electronic rock song with a hell of a chorus (and what sounds curiously like a Santigold sample). Catchy and a little dark, this track really thrives off of Barthel’s emotive, confident voice. No word yet on a new album from these two, but this is a great way to tide us over.
Stream “Black Out Days” above via SoundCloud.
As we’ve already mentioned, electronic music producer Four Tet has a new album coming out titled Beautiful Rewind, and there’s a new track from it streaming above. While it maintains the particularly rigid assembly of electronic sequences that have been prevalent in Tet’s recent works, it does smooth things out a bit with some beautiful female vocal samples. Enjoy!
R&B and art pop princess Janelle Monáe drops a new single featuring Miguel singing wonderfully on the second verse here. It’s a sensual, pretty, and melodic slowjam whose only sin is being so short! Look for this track and others on the new Janelle Monáe album dropping next week, The Electric Lady.