Japan’s Kyary Pamyu Pamyu delivers another collection of absolutely adorable pop singles on this latest LP of hers.
The magical monthly segment where I briefly touch down on a gauntlet of albums I didn’t get a chance to review this past month. These are just my short, straightforward, passionate, biased opinions.
Fucked Up – Glass Boys
Fire! Orchestra – Enter
Cormorant – Earth Driver
Venetian Snares – My Love Is A Bulldozer
Antlers – Familiars
First Aid Kit – Stay Gold
50 Cent – Animal Ambition
Keaton Henson – Romantic Works
While the Hotelier’s latest effort stays true to the emo archetype, and delivers some good production, the band’s approach still remains pretty nondescript for the genre.
This debut full-length from Sisyphus is far from perfect, but it’s still an incredibly bold and fun display of pop absurdity and genre-blending.
I collaborate with the RIO!B’s Sami Jarroush on this review of the latest Cloud Nothings album.
While this new Avey Tare record has some sweet melodies on it, nearly every piece of instrumentation on this thing is burnt to a crisp with effects. A lot like the latest Animal Collective record, this album is a little overdone, and could have benefited from taking the more orthodox approach the “Little Fang” single did.
While the incredible brevity of this new Tony Molina record makes it a little gimmicky, the infectious melodies and breakup album concept are enough to make me overlook that most of the time. If you like your power pop rough and punk-influenced, give this a listen.
Even though it leaves me starving for more, Timber Timbre’s latest record features some of the best tracks and instrumentation to ever come out of this project.
White Hinterland’s third album is the most instrumentally complex thing I’ve heard this project deliver thus far. Not only that but mastermind Casey Dienel’s voice is sounding better than ever between all of these power piano ballads and dense, soulful art pop tunes.