Yeah I dunno on Clipping. When Fants posted that one track a few weeks back I had a listen, thought it was interesting but wasn't sure overall. Now that I've listened to the whole thing, I still don't know.
Maybe if it was over Kids & Explosions style glitches.
What I do know is these guys and Death Grips almost have nothing in common. Death Grips vocals match or create the intensity of the track. These guys are just doing the same kind of flow and lyrical content every other rapper presents today (including the overdubs too).
I want to like it from a 'different' perspective. I'm just not sure it does anything better. Not sure what it's brought to the table in this album. Curious to hear what they do next time to carry this idea a bit further.
The last track, is ridiculously long but I like the subtle changes in it. But it's not music.
"some people like some music and some people don't like that music that other people might like or think is the best music and those other people might think that something else is the best music and the other people might not think that that music is the best music but they might still think that's it's good music or maybe they might think it's bad music or even the worst music but they have the right to think what is the best music and what is the ok music and what is the bad music and what is the worst music because all people like different music but sometimes people like the same music too so you just have to respect what music people like and don't like."
"Some people like good music while others think they like music that is the best music but they don't actually like the music that is the best music because good music is not the best music and if they like good music then there is bad music that people like but if they like bad music with good music then someone who likes good music will like bad music that is now good which doesnt make any sense, not at all. So I agree that there are people who like some music that likes some music respectfully but I do think that music can dislike other music respectfully but when people listen to bad music its the worst music."
Oh whatever. That track is two vocal loops and ambient street sounds for 10 minutes. How about 'its not a really much of a song'? I didn't say that as a point of contention, I just called out that one track are being lukewarm on the while thing and go figure that one track really isn't a song.
Yeah, It Ain't Easy to listen to everything Bowie has done. It might even take you Five Years, but it's good to listen to him now, Because You're Young. Then again, you don't have to do so if you want to be a Rebel Rebel, but when you're traveling at the Speed Of Life sometimes you just have to stop Time and Watch That Man. He's A Sweet Thing, possibly The Prettiest Star, but he can also come across like a Queen Bitch or a Big Brother who just wants A Better Future for the Sons Of The Silent Age. I can understand if you have a Sense Of Doubt, but don't be afraid of Changes, Hang Onto Yourself, and Move On to a world of Sound And Vision.
but seriously, any particular reason as to why it's hitting more buttons than previous TMBG records? Or does it just sound more like classic TMBG than usual.
I like "Call Your Mom" a lot, but I wouldn't call it one of my favorite tracks.
It's inbetween "Circular Karate Chop", which is this weird little pop-punk sounding song and "Tesla" which is a slower ballad type track about Nikolai Tesla.
The whole thing is kind of all over the place, which is something I've always felt TMBG does well.
the smooth electro-funk stuff a la "Something About Us" is like the most boring aspect of Daft Punk for me. The more I talk about it here I think I feel the same about Discovery as Kyle feels about post-Amnesiac Radiohead
I never once said I didn't like Discovery. I do like it but I'd give it a 7 at best, truthfully. And I LARGELY prefer Homework. If that bothers you, get over it :)
@Ocaml For your studies, that you may continue to medicate yourself in a Better Person: I have this really vivid memory of being sick at home in the 7th grade, lying in a pile of snot and blankets on the couch, and watching daytime MTV when I first saw the video for "One More Time." I was blissfully oblivious to pretty much everything about culture at the time, so I had no idea what Daft Punk was, but there was something about the combination of anime and disco that stuck with me. Years later in undergrad, when I listened to Discovery because it was a thing I figured I should do, my memory made that connection to the couch and the snot and the blue people, and it made me want to listen to the album more. I don't know why. Maybe the music was a key which unlocked the feelings of those days and mistakes of youth, or maybe I just knew I was destined to enjoy singing robots.
I feel like I'm years behind every other Daft Punk listener in appreciating Discovery (even though I have been listening to them for years). If I like it more in 10 years, I'll let you guys know.
Discovery is one of my favorite albums ever, but I think Alive 2007 is my favorite Daft Punk release. That one is basically a ten for me, and I'd drop the "basically" if I thought the recording quality was just slightly better, though even that doesn't really bother me.
I like the way the Discovery material was worked into Alive 2007 alot better, really. I still need to listen to that one alot more but it has the potential of eclipsing even Homework for me.
I like Alive 2007 for being basically the culmination of Daft Punk's discography, and also for making their relatively underwhelming moments (e.g. certain tracks from Human After All) exciting.
His studio material is a lot of fun. I like his album Glass Swords a lot, his EPs are solid, and he has an Essential Mix that's basically two hours of trap, which is pretty nice. If you like TNGHT and/or Hudson Mohawke, I expect you to like Rustie too. I also imagine he would be fun live.
I'm really excited for whatever that is. I think Bibio is one of the most consistently interesting artists out there right now. I even think Mind Bokeh is really good despite how scatterbrained it is. Part of why I'm so excited for his next release is that Mind Bokeh seemed to taste test so many different ideas, so I want to see if he decides to explore any of those further. Even if he doesn't, he seems to have enough creative inspiration to make another relatively unique album.
I definitely like Ambivalence Avenue significantly more, but I still thought Mind Bokeh had some great tracks on it. Sure, "Take Off Your Shirt" was kind of ridiculous and unnecessary, but I feel tracks like "K is for Kelson" and "Saint Christopher" made up for that.