It pains me to say it, but I don’t care for this new SZA record at all. Not just because some of the tunes are unmemorable, but her own vocal guests just step all over her and these songs.
New York hip hop outfit Ratking is back with a new record and original sound that takes a modern approach to recreating the urban jungle they come from.
This debut full-length from Sisyphus is far from perfect, but it’s still an incredibly bold and fun display of pop absurdity and genre-blending.
I collaborate with the RIO!B’s Sami Jarroush on this review of the latest Cloud Nothings album.
While this new Avey Tare record has some sweet melodies on it, nearly every piece of instrumentation on this thing is burnt to a crisp with effects. A lot like the latest Animal Collective record, this album is a little overdone, and could have benefited from taking the more orthodox approach the “Little Fang” single did.
Hardcore punk revivalists OFF! stays in their comfort zone on this latest record of theirs, but I’ve gotta admit it sounds pretty freakin’ good.
While the incredible brevity of this new Tony Molina record makes it a little gimmicky, the infectious melodies and breakup album concept are enough to make me overlook that most of the time. If you like your power pop rough and punk-influenced, give this a listen.
Even though it leaves me starving for more, Timber Timbre’s latest record features some of the best tracks and instrumentation to ever come out of this project.
White Hinterland’s third album is the most instrumentally complex thing I’ve heard this project deliver thus far. Not only that but mastermind Casey Dienel’s voice is sounding better than ever between all of these power piano ballads and dense, soulful art pop tunes.
Danish electropop artist Mø’s comes through with a relatively solid debut LP, featuring some spectacular hooks, impressive singing, and decent production.