St. Vincent’s latest full-length is her most experimental yet!
Schoolboy Q might not be an amazing lyricist, and his new album might have a handful of filler hooks, but Oxymoron also shows him riding a variety of beats with an impressive level of precision. Not only that, but a number of tracks here bring back the grit and vulgarity of 90s gangsta rap, and give it a progressive instrumental backdrop.
While Temples’ shows a sincere appreciation for psychedelic pop on their debut album, the band does very little to deliver novel ideas or exciting performances.
Blue crab cakes.
Singer-songwriter Angel Olsen offers a change of pace from her bold, rootsy sound on her last album.
Step Brothers’ Lord Steppington is a great mixed bag of chill flows set against b-a-n-g-i-n-g beats. Even the more subdued instrumentals bring heat. While some tracks pale in comparison to others, there’s a lot to love here.
While Angel Guts: Red Classroom might be Xiu Xiu’s most freakish record, I can’t help but feel a little underwhelmed by some of the purely freakish tracks here.
Glitch Mob’s sophomore album shows the LA electronic music collective’s sound moving from glitch hop-inspired electro to straight club fodder.