Beach Boy is a wordy and captivating set of tracks from Ohio singer-songwriter Nick Hartkop and his band. It’s a mix of danceable punk music and acoustic emo ballads. It’s catchy and energetic, yet, downtrodden and slightly melodramatic. While I know this kind of music doesn’t translate for everyone, I think Nick has a strong pop sensibility that transcends his occasionally too-tragic vocals. Enjoy!
Musically minimal and verbally maximal, this singles collection from Sleaford Mods is one of the oddest things I’ve come into contact with in the past month. Yeah, it sounds a lot like the Fall, but their use of drum machines and loops definitely sets them apart from them and any similar post-punk act. Not only that, but there seems to be a strong emphasis on societal satire in the lyrics, which is something I’m sure a Future of the Left fan an appreciate.
I could make numerous comparisons, but the insane rants and unadulterated rage displayed on this album is uniquely hilarious. The poetry behind the lyrics is actually pretty clever as well. Not bad for a set of tracks that sound like they were pulled together on a shoestring budget.
Also, I gotta tell you that these guys are actually planning on dropping a new record on April 28th titled Divide and Exit, which you can stream the first single from here. It sounds like they might actually be going for a fuller sound on this new record, which I’m very excited to hear!
Sorry, it just seemed appropriate.
I don’t know who Machine Girl is, and I think that’s the case for most people since this s/he is a relative unknown in electronic music right now. I can’t say the new album I’m linking you to right now is going to change that–I mean, there isn’t much in the way of a chart-topping single here–but for those patient enough to listen deeply into a well-assembled set of tracks, WLFGRL has a lot going for it.
Nearly every song on this thing is a jittery, challenging display of bombastic rhythms and off-kilter grooves. I haven’t heard beats this nutty since that crazy Japanese footwork comp I mentioned a while back.
Machine Girl really pulls from a wide array of genres, including juke, footwork, house, trap, future garage, wonky, and jungle. They’re all fed through a somewhat aggressive, busy, and distorted lens, which brings all of these cuts together pretty nicely. Enjoy! Oh, also, thanks to Dred Collective for helping to get this album out there!
Kentucky hip hop outfit Cunninlynguists have just released the third installment of their Strange Journey series, which features a relentless gauntlet of guest rappers. Some of my current favorites sit among them: Apathy, Del The Funky Homosapien, Aesop Rock, Blu.
While the record doesn’t seem quite as conceptual as something like Oneirology, it still looks like a solid collection of tracks. Enjoy!
Where have these guys been, and why haven’t they been collaborating already?
Pennsylvania is teaming up on this one with mashup master Girl Talk providing a handful of beats for Philly rapper Freeway. Some might think his style is gimmicky, but Girl Talk’s never really disappointed me. It’s actually funny that he’s been musically silent for the past four years, because I think music fans aren’t really paying attention to genre boundaries like they used to. Now that music discovery on the internet is in full swing, people are listening to whatever the hell they want. That’s exactly what Girl Talk’s megamix albums represented to me, anyway.
As far as Freeway goes, I’ve never really been a fan outside of The Stimulus Package–which dropped the same year as Girl Talk’s last record–but I think he’s sounding completely revitalized over these sample-heavy beats.
I think Freeway and Girl Talk are finding new purpose together with this new EP of theirs, Broken Ankles. The lyrics are grimy, violent, forceful. I’d call the instrumentals unlikely, but nothing happens here that albums like Feed The Animals didn’t already set a precedent for. Still, it’s great to hear Girl Talk focusing on some completely original material rather than just assembling tracks out of pieces of other songs. Stuff like this EP could really build his rep as a producer, because the beats have a lot going on for them on this thing. Enjoy via the widget above or the link below!
Download: Girl Talk & Freeway – Broken Ankles
Black Moth Super Rainbow frontman Tobacco will drop his third solo album Ultima II Massage next month, and from what we’ve heard so far, it’s gonna be a filthy, scuzzy affair. Now, if you thought lead single “Eruption” wasn’t filthy or scuzzy enough, this new one “Streaker” might just scratch that dirty itch of yours. This new song proffers perhaps Tobacco’s heaviest instrumental yet – overdriven electronics buzzing, whirring, and crashing in every which way, and even the vocodered voice is decidedly distorted and nasty compared to the lightness and gentleness typically brought by Tobacco’s vocals. He doesn’t care if he’s harshing our buzz this time around. In fact, I think he wants to, and that’s oddly refreshing. Stream the track above and enjoy!
Ultima II Massage is out May 13 via Ghostly. Check out Anthony’s thoughts on Tobacco’s last LP here.
As mentioned previously, Brian Eno and Underworld co-founder Karl Hyde are coming forth with a collaborative full-length called Someday World. Despite having basic elements, the lead single “The Satellites” was a nice, mildly moody treat – it was great hearing these two electronic music veterans working together and just delivering a well-written tune.
“Daddy’s Car” has a lot of the same elements, including the bright horns that helped make “The Satellites” so captivating, but overall this new single is bolder with its instrumentation. Not in the sense that Eno and Hyde are doing something incredibly ambitious or adventurous – the components here are still pretty basic – but the song does sound grand nonetheless. Its arrangement is certainly more upbeat and zestier than the earlier glimpse we got of the project, and it’s decidedly heavier on vocals. These two tracks forecast an album that’s going to be dynamic, have stellar production, and simply be a great ride. So we’re properly excited for this thing to drop via Warp on May 5!
Here’s our review of Eno’s latest.
Millie & Andrea is the on-off collaborative project of electronic music producers Miles Whitaker and Andy Stott. They’re finally doing this side-project of theirs big with a new full-length album, which you can stream via the widget above.
It’s a set of eight tracks that are glitchy, textured, and rhythmic explorations of sound. Look out for some jungle-style breakbeats, spacey synth sequences, and hypnotic grooves. Enjoy!
The previously mentioned Bruiser Brigade MC Zelooperz strikes again with a new track titled “Can’t Hang.” The dude continues to bring an over-the-top delivery, eccentric lyrics, and an animalistic flow that even Zelooperz himself seems like he’s hardly got a hold of. Oh, let’s not forget to mention the B-A-N-G-E-R beat on this thing. Damn!
From what I understand, this dude’s got a tape on the way titled HELP, and I can’t wait for it right now. My brain is about to explode from the suspense.