A piece of chilling auditory excellence from producer, dj, and co-head of Her Records, Sudanim. The track is absolutely freaky, and manages to stir some really frightening emotions in its 3-minute runtime.
I’m loving the metallic, primal rhythms, for one. It’s like a combination of a factory floor machinery and the kind of drum circles you’d only find in the thickest of jungles. On top of this, Sudanim lays some incredibly twisted, high-pitched wails that I could even begin to guess the origin of.
I’m not sure where all of this is coming from, but hell is clearly where it’s going! Enjoy.
Husky-voiced Chicago rapper Mick Jenkins drops a moving and metaphorical video for his upcoming project titled The Water[s]. It’s officially out August 12th.
“Jazz” features a beautiful, minimal beat that’s guided by what I think are some gleaming vibraphone melodies. I love the way the chorus swells, and Mick’s hook is laid back, but monstrous! Like usual, his bars are thoughtful and interesting.
I can’t wait for the 12th!
Sweden’s Wildbirds & Peacedrums drops a new track titled “The Offbeat,” which looks like it’s going to be landing on the duo’s next full-length album, Rhythm. Not a surprising title from this band considering much of their past material has featured nothing but vocals and drums, and that’s exactly how this new track feels. Aside from a few spare “plinks” and glitches hanging in the background, Mariam Wallentin’s voice passionately rides the building drum work of Andreas Werliin.
Despite the lack of accompaniment, once again, Mariam and Andreas sound great. Mariam’s vocals continue to be a powerhouse of passion, and the Andreas’ grooves really keep the tension up.
It’s nice to hear W&P get back into the swing of things after the release of Mariam’s debut solo album, which I loved last year.
Look for Rhythm on November 3rd via the Leaf Label.
New York MC Joey Bada$$ brings the first single from his highly-anticipated commercial debut, B4DA$$. A lot like a song or two from his last tape, Joey is coming off aggressive on this new single, “Big Dusty.” Very aggressive! I’d go as far as to say there are moments where his flow reminds me of the late Capital STEEZ.
Aside from that, I’m not finding anything too exciting about the single. Joey’s bars are sharp as usual, but the hook is pretty underwhelming, and I can’t say that Kirk Knight’s ethereal production matches the tone of Joey’s delivery that well.
Still, I’m looking forward to seeing how big Joey does it on this new LP. I guess my biggest fear is that he’ll spend too much time in his comfort zone, which I think he does to a degree on this track. The biggest surprise this track offered was a beat change on the bridge, which was paired with a pretty ominous mantra: “Cause bitches lie, niggas lie, numbers, too.”
At this point, it’s pretty clear Joey has no intention of giving this album a commercial sound, which is fine, but he seems hesitant to take the kind of adventurous or experimental plunge his underground status allows him to.
Teklife producer TASO has produced one of my favorite tracks of 2014 right here, and it comes off a compilation he dropped with fellow DJs Rashad, Spinn, and Manny back in March. The hooky vocal samples and rattling trap rhythms are too amped for words. There are some nutty juke-style kick drums running throughout this thing, too.
This thing is just pure visceral, rhythmic bliss. Enjoy!
R.I.P. DJ Rashad.
“Hunger of the Pine,” the lead single off alt-J’s forthcoming LP This is All Yours, was already a plenty fierce song - from its progressive, horn-adorned composition, to its prominent Miley Cyrus vocal sample, to its Hunger Games-esque music video. However, the song just got even fiercer thanks to our bold friends over at clipping., who have re-worked the song into the fourth installment of their “Story” song series (I take it the third chapter was skippable). They did a number on the track, let me tell ya – the only recognizable elements of the original are the “sleeplessly embracing” vocal cut and the horns. Damn, does Daveed sound bad-ass over that brass! But not only is “Story 4″ a glorious testament to these guys’ remixing skills, but it features what might just be their most intricate (and macabre) storytelling to date. After pieces like the first two stories and “Dominoes,” that’s saying something. Here’s hoping this gets put out on a 7″ or something!
But don’t let this overshadow alt-J’s original work, which is still a stellar tune. This Is All Yours drops September 22 via Infectious Records. Find our review of the band’s stunning 2012 debut An Awesome Wave here.
Last month, Houston-based avant-garde rapper and musician B L A C K I E announced a new studio full-length titled IMAGINE YOURSELF IN A FREE AND NATURAL WORLD. No release date yet, but this lead single “None Above” has me properly excited. The track is a crashing, kaleidoscopic wall of sound, with wailing from B L A C K I E forced to the background and just barely audible. It’s beautifully brutal. Or brutally beautiful? Whatever; it’s awesome! Check it out!
Get ready for a challenging listen on this one! This i.o album titled Edit Architect is a dense, tangled web of multi-tracked guitars, relentless drums, and whatever other glitches this Victoria-based bedroom recording project manages to throw into the works.
It’s like a fusion of free jazz, math rock, and the avant-garde. Give a listen and enjoy!
Mississippi rapper Big K.R.I.T. drops a new single from this forthcoming album Cadillactica. After tracks like this and “Mt. Olympus,” I have to admit, I’m pretty excited for this album. It seems K.R.I.T. is finally finding that sweet spot between honing a commercial sound and still impressing as an MC.
“Pay Attention” is a sweet, sensual slow-jam, featuring a great hook from Rico Love. This might not be the kind of sound K.R.I.T.’s fans expect–or even seek out–but it’s pulled off well. It’s been a while since I’ve thought a track in this style was this tasteful. Kudos to K.R.I.T. on this one, and keep and ear out for the Cadillactica release date.