Flying Lotus – “Never Catch Me” ft. Kendrick Lamar

*THIS IS A POWER 106 WORLD PREMIERE* So You’re Dead!‘s much-hyped Kendrick Lamar feature has been unveiled and it’s just as *LA LEAKERS* stellar as you could have hoped. There was certainly no doubt in my mind that K.Dot would kill it over FlyLo’s alternately *AIR HORN* frenetic and smooth, jazzy production. Now I’m actually kind of glad Kendrick took all his beats, even if *LA LEAKERS* it has resulted in the next Captain Murphy album getting put on hold. I’d really be down for *AIR HORN* a whole album of this. Listen above and *THIS IS A POWER 106 WORLD PREMIERE* enjoy!

You’re Dead! drops October 7 via Warp. Our review of Flying Lotus’ previous effort Until the Quiet Comes:

Kevin Drumm / Jason Lescalleet – The Abyss

OK, I want to give a quick shout-out to this latest collaboration between seasoned electro-acoustic/drone/avant-garde/whatever artists Kevin Drumm and Jason Lescalleet - with The Abyss, they have turned out what is without question one of the darkest, most abject musical works I’ve ever heard. I don’t have anything intelligent to say about it – go to TMT for that shit – but if you’re looking for the murkiest of “mood albums,” I can’t recommend this thing enough. Admittedly, it doesn’t make a whole lot of sense to take excerpts from a project so atmospheric, but in case anyone’s feeling curious or brave, find a 9-minute snippet from the 50-minute-long closer above and the decidedly more eventful “Anger Alert” below. Godspeed!

The Abyss is out now via Erstwhile Records.

Julian Casablancas+The Voidz – “Human Sadness”

You know, to hell with the people who say Julian Casablancas should accept his limits as a frontman. Technically speaking, sure his vocal range isn’t the widest and his voice is most appealing when it’s belting out a catchy, bad-ass hook; but I feel when he chooses to break away from those things, it only enhances his DGAF appeal. The above 11-minute-long art-rock odyssey “Human Sadness,” taken from Tyranny (his forthcoming full-length debut with The Voidz), finds Casablancas as far out of his depth as a singer-songwriter as he’s ever been. But rather than sounding like a crushing defeat at the hands of his limitations, it’s more of a bold stand against them. He doesn’t exactly nail the vocal highs and lows The Voidz’s multi-phased composition calls for, but he gives this Sisyphean task his all, which I’d argue is just as (if not more) admirable. In my book Casablancas sounds no less bad-ass doing odd and surprising than he does doing punchy and immediate.

Looking forward to giving Tyranny a good listen when it drops September 23 via Cult Records.

Pyre – “Merciless Disease”

Get your teeth gnashed and fists clenched! You might wanna light up a torch as well for this new Pyre track titled “Merciless Disease.” These guys are a metal outfit that hails from Russia, and their new LP, Human Hecatomb, will be out this month via Chaos Records.

Sonically, this track is a pretty standard portrayal of death metal and crust punk, but the songwriting and performance are just too awesome to disregard. The band has guts; there’s no debating that! It’s like they’ve somehow managed to indulge in some musical nostalgia while actually conjuring the excitement I get from listening to bands that were kingpins in the era of music that so obviously influences Pyre.

Deerhoof – “Exit Only”

Beloved indie rock vets Deerhoof have recently announced the release of a new album that will be dropping via Polyvinyl records this year. The title: La Isla Bonita. The release date: November 4th. PSYCHED! PUMPED!

“Exit Only” is the first track the band has seen fit to release from the upcoming album, but I’ve actually heard the rest of this release already. I ain’t saying that to try to get you pissed off at me or nothin’, but I can confirm that there are at least a few tracks on this record that follow suit in the heavy, riff-laden vibe of “Exit Only,” which is easily one of the most hard-hitting songs in the band’s growing discography.

As far as the vibe or style of this song, well, it’s Deerhoof. The band’s got one of the most idiosyncratic approaches to music today. Greg’s tight fills, Satomi’s absurdist lyrics, and the group’s typically strange melodies and grooves all ring through on this new cut. The most noticeable difference is how heavy the song feels for Deerhoof, which I don’t mind at all. BRING IT ON!

Stream Earth’s Primitive and Deadly

One of my favorite metal bands ever has seen fit to put its latest full-length album up on Bandcamp for all to hear and purchase. YES! AMAZING! GREAT! WOW! FANTASTIC! YES! YES! YES!

The music is right there, so I’ll just allow this gloomy, psychedelic monster speak for itself. If this album grips you, make sure to head back into Earth’s discography and check out releases like Bees Made Honey In the Lion’s Skull, Hex, and Earth 2. Enjoy!

Girl Band – “De Bom Bom”

Previously mentioned and up-and-coming noise rock band Girl Band have released a new song and video right heretitled “De Bom Bom,” and I’m quite smitten with it. The song ain’t exactly musical, well, not in the traditional sense. However, it’s very distorted, textured, and intense. The performance is especially riveting between the yelping vocals and tightly wound drums. The band moves from one intense rush of sound and emotion to another until they bring the song to a close just before the 4-minute mark.

If you’ve got a soft spot for bands like Drive Like Jehu and Obits, this is a must-listen!

SOPHIE – “LEMONADE” / “HARD”

Pure insanity coming from these two major tracks from anonymous producer SOPHIE, and both of these songs are out now via Numbers.

Between all the vaporwave and trap out floating around the Internet right now, there’s no shortage of zany electronic music at the moment. SOPHIE seems to embrace a lot of the tenants of TNGHT, Rustie, and post-modernists such as Daniel Lopatin; however, these sensibilities are unabashedly fused with commercial pop, a flavor that reads strongest in the often squeakily pitched melodies and lead vocals. There’s just something about the melodic shift at 0:39 that sounds like Carly Rae Jepsen’s “Call Me Maybe.” Someone on Twitter went as far as to say the groove on “Hard” resembles that of a Death Grips track, and I have to nod in agreement on that comparison.

Despite the obvious present-day influences, something about SOPHIE’s productions thus far feel as if they’re coming from at least ten years into the future. Their energy is incredibly hyper, their accessibility is high, but there’s something sort of avant-garde about these tracks as well. Maybe it’s sort of short-sighted to assume that songs like “Hard” could become the norm in a decade, but I certainly get the sense that I’m catching up with something ahead of the curve when I put these beats on.

Börn – Self-Titled

Some twisted, eerie, raw, nasty, and misbehaved post-punk coming from Iceland’s Börn. Definitely a record for those who dig their rock on the dark side of things; because this record reeks of goth rock.

The guitar chords run pretty dreary, but the vocals are sharp, wailing, and strange. Nice contrast on there, and some great punk-y grooves are running throughout these tracks, too. Enjoy!

Death From Above 1979 – “Government Trash”

Few musical comebacks have been as hotly anticipated as Death From Above 1979′s. A few years after the Ontario duo’s electrifying debut album dropped, they splintered and began working on other projects instead. I vividly remember being disappointed upon first hearing this news, because You’re A Woman, I’m A Machine left such a strong impression on me–and most of the independent rock world, too.

To hear that Sebastien Grainger and Jesse F. Keeler were getting the band back together a few months ago was exciting, and it’s tracks like “Government Trash” that make it feel like the hiatus never happened. The track’s riffs are the sonic equivalent to an adrenaline shot, and the vocals could be more on point, too!

Look for The Physical World on September 9th via Last Gang Records.